This article explores how conceptions of choice and visions of the future are constructed within the context of specialized arts programs in two Canadian public high schools. The authors consider how discourses of the arts are implicated in the way that possible futures are envisioned differently, delimiting the range of choices available to students. Their analysis shows how choices are unequally distributed and possible futures unequally constructed in ways that reinforce social class hierarchies. The discussion of the data is organized around the contrast in how three tropes—“the architect,” “the fifth year,” and “being lazy”—emerge in both school contexts in relationship to students’ futures. By illustrating how the arts operate in this process, the authors challenge the common assumption that arts programs have the inherent ability to transcend social structures in general and social class processes in particular. The authors conclude by considering the implications of their analysis for how notions of choice are understood in relationship to specialized arts programs.

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Author Biographies

Rubén Gaztambide-Fernández is an Associate Professor of the Arts in Education and Curriculum Studies at the Ontario Institute for Studies in Education of the University of Toronto. His research focuses on the social context of cultural production and on processes of identification in schools. He is the author of The Best of the Best: Becoming Elite at an American Boarding School (2009, Harvard University Press).

Elena VanderDussen has an M.A. in Curriculum Studies and Teacher Development from the Ontario Institute for Studies in Education of the University of Toronto. Her research focuses on service as a context for individual and community learning in international education and development programs.

Kate Cairns is a postdoctoral fellow in Sociology at the University of Toronto. Her primary areas of interest include feminist theory, sociology of education, cultural studies, and cultural geography. Kate’s doctoral research explored how rural youth envision futures in neo-liberal times.

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