Music tertiary educators can foster positive experiences that promote diversity, enhance intercultural and cross-cultural understanding through our teaching. Through findings of interview data of tertiary music educators’ understandings of multicultural music practice at two South African universities and at an Australia university, I used interpretative phenomenological analysis to analyse the data. Two major themes emerged: why is it important to teach multicultural music like that of Africa, and what are some of the effective ways of preparing students to best teach it? The data provides insights into an appreciation of and respect for music and cultural diversity. In multicultural societies educators cannot deliver courses based solely on one’s own identity and cultural perspective. I argue that music education may be seen as an agent of social change where music teaching and learning can occur through exploring, experiencing, expressing and engaging in the music of our own culture and that of others.

Addo, A. O. (2000). Socio-cultural power and music knowledge construction. In Rideout, R. (ed.), On the Sociology of Music Education II: Papers from the Music Education Symposium (pp. 7590). Amherst: University of Massachusetts Press.
Google Scholar
Agawu, K. (2003). Representing African music: Postcolonial notes, queries, positions. New York: Routledge.
Google Scholar
Anderson, W. M., Campbell, P. S. (2011). Multicultural perspectives in music education. London: Rowman & Littlefield Education.
Google Scholar
Australian Bureau of Statistics (2011). 2011 Census Edition – Preliminary. Retrieved from: http://www.abs.gov.au/ausstats/abs@.nsf/mf/3101.0.
Google Scholar
AustralianCurriculum, Assessment and ReportingAuthority(ACARA) (2012). The arts. Retrieved from: http://www.acara.edu.au/verve/_resources/DRAFT_Australian_Curriculum_The_Arts_Foundation_to_Year_10_July_2012.pdf.
Google Scholar
Banks, J. (2004). Multicultural education: Historical development, dimensions, and practice. In Banks, J. A., Banks, C. A. M. (eds), Handbook of research on multicultural education (pp. 329). San Francisco, CA: Jossey-Bass.
Google Scholar
Beattie, M. (2000). Narratives of professional learning: Becoming a teacher and learning to teach. Journal of Educational Enquiry, 1(2): 123.
Google Scholar
Bell, M. (2004). Internationalising the higher education curriculum – Do academics agree in transforming knowledge into wisdom? Retrieved from: http://www.herdsa.org.au/wp-content/uploads/conference/2004/PDF/P036-jt.pdf.
Google Scholar
Belz, J. (2006) Opening doors to diverse traditions of music making: Multicultural music. Music Educators Journal, 92, 4245.
Google Scholar | SAGE Journals
Blacking, J. (1995). Music culture and experience. In Bowman, P., Nettle, B. (eds), Selected papers by John Blacking (pp. 12240). Chicago, IL: University of Chicago Press.
Google Scholar
Bradley, D. (2006). Music education, multiculturalism, and anti-racism: ‘Can we talk?’ Action, Criticism, and Theory for Music Education. Retrieved from: http://act.maydaygroup.org/articles/Bradley5_2.pdf.
Google Scholar
Campbell, P. S. (2004). Teaching music globally. New York: Oxford University Press.
Google Scholar
Centre for Education and Research in Environmental Strategies (CERES) (2011). Culture. Retrieved from: http://www.ceres.org.au/node/41.
Google Scholar
Chase, S. E. (2005). Narrative inquiry: Multiple lenses, approaches, voices. In Denzin, N. K., Lincoln, Y. S. (eds), The SAGE handbook of quantitative research (3rd ed., pp. 651679). New York: SAGE.
Google Scholar
Chen-Hafteck, L. (2007). In search of a motivating multicultural music experience: Lessons learned from the Sounds of Silk project. International Journal of Music Education, 25(3), 223233.
Google Scholar | SAGE Journals | ISI
Craig, C. J. (2009). Research in the midst of organized school reform: Versions of teacher community in tension. American Educational Research Journal, 46(2), 598619.
Google Scholar | SAGE Journals | ISI
Davis, S. (2011). Musical identities and music education: A review essay. International Journal of Education & the Arts, 12(6). Retrieved from: http:www.ojea.org.
Google Scholar
Dinham, J. (2011). Delivering authentic arts education. Melbourne: Cengage Learning Australia.
Google Scholar
Douskalis, P. (2012). The multiple layers of culture and the multiple layers of society. In Sims, W. (ed.), Music Paedeia: From ancient Greek philosophers towards global music communities. Proceedings of the 30th ISME World Conference on Music Education (pp. 8999). Australia: International Society for Music Education.
Google Scholar
Eatough, V., Smith, J. (2006). ‘I was like a wild wild person’: Understanding feelings of anger using interpretative phenomenological analysis. British Journal of Psychology, 97, 483498.
Google Scholar | Crossref | Medline | ISI
Erwin, J. H., Edwards, K., Kerchner, J., Knight, J. (2003). Prelude to music education. Upper Saddle River, NJ: Pearson Education.
Google Scholar
Fitzpatrick, K. R. (2012). Cultural diversity and the formation of identity: Our role as music teachers. Music Educators Journal, 98(4), 5359.
Google Scholar | SAGE Journals
Fredericks, S. (2008). The use of indigenous and contemporary music pedagogies in South Africa. Journal of Artistic and Creative Education, 2(2), 127149.
Google Scholar
Graham, A., Phelps, R. (2003). Being a teacher: Developing teacher identity and enhancing practice through metacognitive and reflective learning processes. Australian Journal of Teacher Education, 27(2), 1124.
Google Scholar | Crossref
Greiman, B. C., Covington, H. K. (2007). Reflective thinking and journal writing: Examining student teachers’ perceptions of preferred reflective modality, journal writing outcomes, and journal structure. Career and Technical Education Research, 32(2), 115139.
Google Scholar | Crossref
Hagan, M., McGlynn, C. (2004). Moving barriers: promoting learning for diversity in initial teacher education. Journal of Intercultural Education, 15(4), 243252.
Google Scholar | Crossref
Hall, S. (1992). New ethnicities. In Donald, J., Rattansi, A. (eds), Race, culture and ethncities (pp. 252259). London: SAGE.
Google Scholar
Henricks, F. (2012). African multiculturalism: Multiculturalism and culture. Retrieved from: http://science.jrank.org/pages/10322/Multiculturalism-Africa-Multiculturalism-Culture.html.
Google Scholar
Hugo, G. (2009). Migration between Africa and Australia: A demographic perspective. Retrieved from: http://www.hreoc.gov.au/africanaus/papers/africanaus_paper_hugo.html#Heading599.
Google Scholar
Jorritsma, M. (2008). What is African music? The Talking Drum, 29(1), 2224.
Google Scholar
Joseph, D. (2002). Umoja: Teaching African music to generalist teacher education students. In Callaghan, J., Rosevear, J. (eds), Research matters: Linking outcomes with practice: Proceedings of the XXIVth annual conference (pp. 8698). Melbourne: Australian Association for Research in Music Education.
Google Scholar
Joseph, D. (2003). An African music odyssey: Introducing a cross-cultural music curriculum to Australian primary teacher education students. Journal of the International Society for Music Education, 2, 98111.
Google Scholar
Joseph, D. (2004). Smaller steps into longer journeys: Experiencing African music and expressing culture. In Chaseling, M. (ed.), AARME 2004: Proceedings of the XXVIth Australian Association for Research in Music Education Annual Conference (pp. 216225). Melbourne: Australian Association for Research in Music Education.
Google Scholar
Joseph, D. (2005). Travelling drum with different beats: Experiencing African music and culture in Australian teacher education. Teacher Development: An International Journal of Teachers’ Professional Development, 9(3), 287300.
Google Scholar
Joseph, D. (2006). Cultural understanding: Rethinking music teacher education in a multicultural Australia. In Sims, W., Tahir, R. (eds), Sentuhan: Proceedings of the 27th World Conference of the International Society for Music Education (pp. 621646). Western Australian: International Society for Music Education.
Google Scholar
Joseph, D. (2007). Jabulani Africa: Celebrating music making and finding meaning in Australia. In Stanberg, A., McIntosh, J., Faulkner, R. (eds), Celebrating musical communities: Proceedings of the 40th Anniversary National Conference (pp. 126129). Western Australian: International Society for Music Education.
Google Scholar
Joseph, D. (2009). Masakhane: Musical understanding in African music. In Baker, W. (ed.), ASME 2009: Proceedings of the XVIIth National Conference (pp. 96102). Launceston, Tasmania: Australian Society for Music Education.
Google Scholar
Joseph, D. (2012). Internationalising the curriculum: Building intercultural understandings through music. Journal of University Teaching and Learning Practice, 9(1), 113.
Google Scholar
Joseph, D., Southcott, J. (2011). Embracing cultural diversity in Australian music teacher education, Music Education Research and Innovation, 14(1), 714.
Google Scholar
Larkin, M., Watts, S., Clifton, E. (2006). Giving voice and making sense in interpretative phenomenological analysis. Qualitative Research in Psychology, 3, 102120.
Google Scholar | Crossref
Loughran, J., Mulhall, P., Berry, A. (2004). In search of pedagogical content knowledge in science: Developing ways of articulating and documenting professional practice. Journal of Research in Science Teaching, 41(4), 370391.
Google Scholar | Crossref | ISI
Lucia, C. (2011). Music notation: A South African guide. South Africa: UNISA Press.
Google Scholar
Lyons, T., Dimock, E. (2003). The state of African Studies in Australia. In Zeleza, P. (ed.), The study of Africa (pp. 315335). Oxford: CODESRIA.
Google Scholar
McCarthy, C., Crichlow, W., Dimitriadis, G., Dolby, N. (2005). Introduction: Transforming contexts, transforming identities: Race and education in the new millennium. In McCarthy, C., Crichlow, W., Dimitriadis, G., Dolby, N. (eds), Race, identity, and representation in education (pp. xvxxix). New York: Routledge.
Google Scholar | Crossref
McKinney, C., Soudien, C. (2010). 2010 IALEI Country Report: Multicultural education in South Africa. Retrieved from: http://www.intlalliance.org/fileadmin/user_upload/documents/Conference_2010/NP-SA.pdf.
Google Scholar
Merton, J. M. (2011). Critical multicultural teacher education: Identity and difference in New Zealand. Unpublished PhD thesis, Deakin University, Melbourne, Australia.
Google Scholar
Mixon, K. (2009). Engaging and educating students with culturally responsive performing ensembles. Music Educators Journal, 94(4), 6674.
Google Scholar | SAGE Journals
Miya, F. (2003). Appreciating formal African music. The Talking Drum, 20(2), 25.
Google Scholar
Muller, C. A. (2004). South African music: A century of traditions in transformation. Santa Barbara, CA: ABC-Clio.
Google Scholar
Muller, C. (2008). Focus: Music of South Africa. New York: Routledge.
Google Scholar
Multicultural Arts Victoria (2011) About Multicultural Arts Victoria. Retrieved from: http://www.multiculturalarts.com.au/about.shtml(accessed 22 July 2011).
Google Scholar
Nkomo, M., Chisholm, L., McKinney, C. (2004). Through the eyes of the school: In pursuit of social integration. In Nkomo, M., McKinney, C., Chisholm, L. (eds), Reflections on school integration (pp. 110). Cape Town: Human Sciences Research Council.
Google Scholar
Nompula, Y. (2011). Valorising the voice of the marginalised: Exploring the value of African music in education. South Africa Journal of Education, 31, 369380.
Google Scholar | Crossref | ISI
Nompula, Y. (2012). An investigation of strategies for integrated learning experiences and instruction in the teaching of creative arts subjects. South African Journal of Education, 32, 293306.
Google Scholar | Crossref | ISI
North West University (2012) Innovation through diversity. Retrieved from: http://www.nwu.ac.za/export/TheNWULinkdocuments/NWU_Profile_2010–2011.pdf.
Google Scholar
Nzewi, M., Anyahura, I., Ohiaraumunna, T. (2008). Musical sense and musical meaning: An indigenous African perception. Netherlands: Rozenberg Publishers.
Google Scholar
Ranks, J. (2012) Africa multiculturalism: Multicultural problems in Africa: Multiculturalism and culture. Bibliography: African, cultural, diversity, and cultures. Retrieved from: http://science.jrank.org/pages/7891/Multiculturalism-Africa.html#ixzz21W4rfGf5.
Google Scholar
Schippers, H. (2010). Facing the music: Shaping music education from a global perspective. New York: Oxford University Press.
Google Scholar
Senders, W., Davidson, L. (2000). Music and multiculturalism: Dimensions, difficulties and delights. Journal for Learning through Music (summer): 1827.
Google Scholar
Shaw, J. (2012). The skin that we sing: Culturally responsive choral music education. Music Educators Journal, 98(4), 3337.
Google Scholar | SAGE Journals
Smith, J. A. (2005). Jonathon A. Smith. Retrieved from: http://www.psyc.bbk.ac.uk/people/academic/smith/smith_j/js.html.
Google Scholar
Smith, J. A., Osborn, M. (2009). Interpretative phenomenological analysis. In Smith, J. A. (ed.), Qualitative psychology: A practical guide to research methods (pp. 5380). London: SAGE.
Google Scholar
Smith, J. A., Flowers, P., Larkin, M. (2009). Interpretative phenomenological analysis: Theory, method and research. London: SAGE.
Google Scholar
Statistics South African (StatsSA) (2010). Retrieved from: www.statssa.gov.za.
Google Scholar
Tertiary Music Education in Australia . (2011). Task Force Report: Global access partners. Retrieved from: http://www.openforum.com.au/content/tertiary-music-education-report-released.
Google Scholar
Vandeyar, S. (2003). The jagged paths to multicultural education: International experiences and South Africa’s response in the new dispensation. South African Journal of Education, 23(3), 193198.
Google Scholar
Victorian Essential Learning Standards (VELS) . (2012). Retrieved from: http://vels.vcaa.vic.edu.au/.
Google Scholar
Victorian Multicultural Commission . (2009). Population and migration. Retrieved from: http://www.multicultual.vic.gov.au/web24/vmc.nsf/headingpagesdisplay/population+and+migration
Google Scholar
Victorian Multicultural Commission . (2012a). Population and migration. Retrieved from: http://www.multicultural.vic.gov.au/population-and-migration.
Google Scholar
Victorian Multicultural Commission . (2012b). How Victoria was settled. Retrieved from: http://www.multicultural.vic.gov.au/population-and-migration/how-victoria-was-settled.
Google Scholar
Volk, T. M. (2004). Music, education and multiculturalism. Oxford: Oxford University Press.
Google Scholar
Walkington, J. (2005). Becoming a teacher: Encouraging development of teacher identity through reflective practice. Asia-Pacific Journal of Teacher Education, 33(1), 5364.
Google Scholar | Crossref
Young, R. (2006). Insights for programme leaders from a review of research into the use of ‘reflective practice’ on programmes for new academic staff. The Higher Education Academy. Retrieved from: http://www.heacademy.ac.uk/assets/York/documents/ourwork/research/web0595_insights_for_programme_leaders_from_a_review_of_the_research_into_the_use_of_reflective_practice.pdf.
Google Scholar

Author biography

Dawn Joseph is a senior lecturer in music and education studies in the Faculty of Arts and Education, Deakin University. She is currently responsible for teaching music in both undergraduate and postgraduate courses. She researches, publishes and reviews in national and international journals in the areas of teacher education, music education, African music, ageing and wellbeing, cultural diversity and multiculturalism. She is a national committee member of the Australian Society for Music Education and Chair for the Victorian Chapter.

View access options

My Account

Welcome
You do not have access to this content.



Chinese Institutions / 中国用户

Click the button below for the full-text content

请点击以下获取该全文

Institutional Access

does not have access to this content.

Purchase Content

24 hours online access to download content

Your Access Options


Purchase

IJM-article-ppv for $36.00

Article available in:

Related Articles

Citing articles: 0