Abstract
This article is about one focus of a two-year project researching the Penrith (NSW Australia) Youth Music Program offered at the Joan Sutherland Performing Arts Centre. The Penrith Youth Music Program has been designed to encourage young string players through a program of guided rehearsals and tutorials with mentoring by performers from the Australian Chamber Orchestra. This article focuses on a part of the research that has engaged the young string players in reflection on their own progress. Eight young string players are the focus here, drawn from the whole study that encompasses 27 instrumentalists. In focus groups they were asked at intervals (at the end of each session of three ensemble rehearsals, spaced approximately 6 weeks apart) about their learning and about their practice strategies. This article presents the voices of the eight instrumentalists as they talk about technical issues, ensemble cuing, issues of balance and dynamic control. It also provides data that benefits in performance were achieved without an increase in the reported time given to practice but rather through thoughtful attention by the instrumentalists to their practice and to the proximity of the expert mentors as role models.
|
Barry, N. H., Hallam, S. (2002). Practice. In R. Parncutt & G. E. McPherson The science and psychology of music performance: Creative strategies for teaching and learning (pp. 151–165). New York, NY: Oxford University Press. Google Scholar | Crossref | |
|
Bathgate, M., Sims-Knight, J., Schunn, C. (2011). Thoughts on thinking: Engaging novice music students in metacognition. Applied Cognitive Psychology, 26, 403–409. Google Scholar | Crossref | |
|
Benton, C. (2013). Promoting metacognition in music classes. Music Educators Journal, 100(2), 52–59. Google Scholar | SAGE Journals | |
|
Collins, A. (2013). Neuroscience meets music education: Exploring the implications of neural processing models on music education practice. International Journal of Music Education, 31(2), 217–231. http://doi.org/10.1177/0255761413483081 Google Scholar | |
|
Crochet, L., Green, S. (2012). Examining progress across time with practical assessments in ensemble settings. Music Educators Journal, 98(3), 49–54. Google Scholar | SAGE Journals | |
|
Dunlosky, J., Metcalfe, J. (2009). Metacognition. Thousand Oaks, CA: Sage. Google Scholar | |
|
Green, S., Hale, C. (2011). Fostering a lifelong love of music: Instruction and assessment practices that make a difference, Music Educators Journal, 98(1), 45–50. Google Scholar | SAGE Journals | |
|
Hallam, S. (2001). The development of metacognition in musicians: Implications for education. British Journal of Music Education, 18(1), 27–39. Google Scholar | Crossref | |
|
Hart, J. (2014). Guided metacognition in instrumental practice. Music Educators Journal, 101(2), 57–64. Google Scholar | SAGE Journals | |
|
Jarvin, L., Subotnik, R. F. (2010). Wisdom from conservatory faculty: Insights on success in classical music performance. Roeper Review, 32(2), 78–87. http://doi.org/10.1080/02783191003587868 Google Scholar | |
|
Jørgensen, H. (1997). Time for practising? Higher level music students’ use of time for instrumental practising. In Jørgensen, H., Lehman, A. C. (Eds), Does practice make perfect? Current theory and research on instrumental music practice (pp. 123–139) Oslo: Norges Musikkhogskole. Google Scholar | |
|
Jorgensen, M., Phillips, L. (2002). Discourse analysis as theory and method. doi:10.4135/9781849208871 Google Scholar | Crossref | |
|
Leon-Guerrero, A. (2008). Self-regulation strategies used by student musicians during music practice. Music Education Research, 10(1), 91–106. Google Scholar | Crossref | ISI | |
|
McPherson, G. (1997). Cognitive strategies and skill acquisition in musical performance. Bulletin of the Council for Research in Music Education, 133, 64–71. Google Scholar | |
|
McPherson, G., McCormick, J. (1999). Motivational and self-regulated learning components of musical practice. Bulletin of the Council for Research in Music Education, 141, 98–102. Google Scholar | |
|
McPherson, G., Renwick, J. (2001). A longitudinal study of self-regulation in children’s musical practice. Music Education Research, 3(2) 169–186. Google Scholar | Crossref | |
|
Miles, M., Huberman, A. (1994). Qualitative data analysis. Thousand Oaks, CA: Sage. Google Scholar | |
|
Nielsen, S. (2001). Self-regulating learning strategies in instrumental music practice. Music Education Research, 3(2), 155-167. Google Scholar | Crossref | |
|
Roberts, S. (2011). The role of metacognition. In Mackinlay, E., Forrest, D. (Eds.). Making sound waves: Diversity, unity, equity: Proceedings of the XVIII National Conference (pp. 170–177). Parkville, Vic.: Australian Society for Music Education. Retrieved from http://search.informit.com.au/documentSummary;dn=928084960357909;res=IELHSS Google Scholar | |
|
Saldana, J. (2016). A coding manual for qualitative researchers (3rd ed.). London: Sage. Google Scholar | |
|
Slattery, P. (2006). Curriculum development in the postmodern era (2nd ed.). New York: Routledge. Google Scholar | |
|
Zimmerman, B. J. (2000). Attaining self-regulation: A social cognitive perspective. In Boekaerts, M., Pintrich, P. R., Zeidner, M. (Eds.), Handbook of self-regulation. (pp. 695–716). San Diego, CA: Academic Press. Google Scholar | Crossref |


