The purpose of this study was to investigate the confidence, anxiety, and attitude of novice string student improvisers. A form of the Fennema–Sherman Mathematics Attitudes Scales, as modified for improvisation by Wehr-Flowers, was given to middle school and high school string students (N = 121) after their participation in a 4-month improvisation curriculum. Whereas females in Wehr-Flowers’s study were found to be significantly less confident than males in either study, the confidence level of females in the current study was not significantly different from any other group. Females in both studies were significantly more anxious toward improvisation than males, and the results of the attitude comparisons were inconclusive. The higher confidence level of females in the current study may have resulted from the different populations studied, maturation/history effects, or exposure to a curriculum specifically designed to build confidence and allay fears toward improvisation.

Adderly, C. L. (1999). Preparation of future band directors relative to the National Standards—Goals 2000. Journal of Band Research, 35, 6373.
Google Scholar | ISI
Aebersold, J. (1992). Maiden voyage: Fourteen easy-to-play jazz tunes (Jamey Aebersold Play-A-Long Series, Vol. 54). New Albany, IN: Jamey Aebersold Jazz.
Google Scholar
Aitken, A. E. (1975). A self-instructional audio-imitation method designed to teach trumpet students jazz improvisation in the major mode (Doctoral dissertation, University of Oregon). Dissertation Abstracts International, 37(01), 18A.
Google Scholar
Allen, M., Gillespie, R., Hayes, P.T. (2002). Essential elements 2000 for strings. Milwaukee, WI: Hal Leonard.
Google Scholar
Amchin, R. A. (1995). Creative musical response: The effects of teacher-student interaction on the improvisation abilities of fourth- and fifth-grade students (Doctoral dissertation, University of Michigan). Dissertation Abstracts International, 56(08A), 3044.
Google Scholar
Azzara, C. D. (1993). Audiation-based improvisation techniques and elementary instrumental music students’ music achievement. Journal of Research in Music Education, 41, 328342.
Google Scholar | SAGE Journals | ISI
Azzara, C. D. (1999). An aural approach to improvisation. Music Educators Journal, 86(3), 2125.
Google Scholar | SAGE Journals
Bash, L. (1983). The effectiveness of three instructional methods on the acquisition of jazz improvisation skills (Doctoral dissertation, State University of New York at Buffalo). Dissertation Abstracts International, 44(07), 2079A.
Google Scholar
Bash, L. (1984). The relationship among musical aptitude, musical achievement, psychosocial maturity, sex, age, preliminary improvisation performance and the acquisition of improvisation performance skill. Jazz Research Papers, 4, 612.
Google Scholar
Berard, M. (1998). Production and evaluation of a self-instructional method for teaching jazz guitar (Master’s thesis, Concordia University). Masters Abstracts International, 37(06), 1605.
Google Scholar
Brungard, K. D., Alexander, M., Anderson, G., Dackow, S. (2004). Orchestra expressions. Van Nuys, CA: Alfred.
Google Scholar
Burnsed, C. V. (1978). The development and evaluation of an introductory jazz improvisation sequence for intermediate band students (Doctoral Dissertation, University of Miami). Dissertation Abstracts International, 39(08), 4578A.
Google Scholar
Byo, S. J. (1999). Classroom teachers’ and music specialists’ perceived ability to implement the National Standards for Music Education. Journal of Research in Music Education, 47, 111123.
Google Scholar | SAGE Journals | ISI
Carlson, W. R. (1980). A procedure for teaching jazz improvisation based on an analysis of the performance practices of three major trumpet players: Louis Armstrong, Dizzie Gillespie, and Miles Davis (Doctoral dissertation, Indiana University, 1980). Dissertation Abstracts International, 42(03), 1042A.
Google Scholar
Collier, G. (1995). Women and jazz, jazz and women, new riffs on an old tune. Jazz Changes, 2, 511.
Google Scholar
Damron, B. L. (1973). The development and evaluation of a self-instructional sequence jazz improvisation (Doctoral dissertation, Florida State University). Dissertation Abstracts International, 35(02), 1141A.
Google Scholar
Della Pietra, C., Campbell, P. S. (1995). An ethnography of improvisation training in a music methods course. Journal of Research in Music Education, 43, 112126.
Google Scholar | SAGE Journals | ISI
Elliot, D. (1995). Music matters. New York, NY: Oxford University Press.
Google Scholar
Fennema, E., Sherman, J. (1976). Fennema-Sherman mathematics attitude scales: Instruments designed to measure attitudes towards the learning of mathematics by girls and boys. Journal for Research in Mathematics Education, 7, 324326.
Google Scholar | Crossref
Gazda, D., Stoutamire, A. (1997). Spotlight on strings. San Diego, CA: Neil A. Kjos Music.
Google Scholar
Gordon, E. E. (1997). Learning sequences in music: Skill, content, and patterns. Chicago, IL: GIA.
Google Scholar
Grant, J. W., Kohut, D. L. (1992). Performance teachers for the future. Music Educators Journal, 79(3), 536.
Google Scholar
Greennagel, D. J. (1994). A study of selected predictors of jazz vocal improvisation skills (Doctoral dissertation, University of Miami). Dissertation Abstracts International, 55(08), 2201.
Google Scholar
Guilbault, D. M. (2004). The effect of harmonic accompaniment on the tonal improvisations of children in kindergarten and first grade. Journal of Research in Music Education, 52, 6476.
Google Scholar | SAGE Journals | ISI
Guilbault, D. M. (2009). The effects of harmonic accompaniment on the tonal improvisations of students in first through sixth grade. Journal of Research in Music Education, 57, 8191.
Google Scholar | SAGE Journals | ISI
Hamann, D. L., Gillespie, R. (2009). Strategies for teaching strings. New York, NY: Oxford University Press.
Google Scholar
Hamann, D. L., Sobaje, M. (1983). Anxiety and the college musician: A study of performance conditions and subject variables. Psychology of Music, 11, 3750.
Google Scholar | SAGE Journals
Hores, R. G. (1977). A comparative study of visual and aural-oriented approaches to jazz improvisation with implications for instruction (Doctoral dissertation, Indiana University). Dissertation Abstracts International, 39(04), 2122A.
Google Scholar
Kalmer, M., Balasko, G. (1987). “Musical mother tongue” and creativity in preschool children’s melody improvisations. Bulletin of the Council for Research in Music Education, 91, 7789.
Google Scholar
Kokotsaki, D., Davidson, J. W. (2003). Investigating musical performance anxiety among music college singing students: A quantitative analysis. Music Education Research, 5, 4559.
Google Scholar | Crossref
Kratus, J. (1996). A developmental approach to teaching musical improvisation. International Journal of Music Education, 19, 3550.
Google Scholar
Lehman, P. (2000). Unfinished business. Arts Education Policy Review, 101(3), 2122.
Google Scholar | Crossref
Madura, P. (1999). Gender and vocal jazz improvisation skills. Jazz Research Papers, 19, 3034.
Google Scholar
May, L. F. (2003) Factors and abilities influencing achievement in instrumental jazz improvisation. Journal of Research in Music Education, 51, 245258.
Google Scholar | SAGE Journals | ISI
McDaniel, W. (1974). Differences in music achievement, musical experience, and background between jazz-improvising musicians and non-improvising musicians at the freshman and sophomore college levels (Unpublished doctoral dissertation). University of Iowa, Iowa City.
Google Scholar
Music Educators National Conference . (1994). The school music program: A new vision. Reston, VA: Author.
Google Scholar
Osborne, M. S., Kenny, D. T. (2008). The role of sensitizing experiences in music performance anxiety in adolescent musicians. Psychology of Music, 36, 447462.
Google Scholar | SAGE Journals | ISI
Park, H. M. (2008). Univariate analysis and normality test using SAS, Stata, and SPSS (Working Paper). The University Information Technology Services Center for Statistical and Mathematical Computing, Indiana University, Bloomington. Retrieved from http://www.indiana.edu/~statmath/stat/all/normality/index.html
Google Scholar
Partchey, K. C. (1974). The effects of feedback, models, and repetition on the ability to improvise melodies (Doctoral dissertation, Pennsylvania State University). Dissertation Abstracts International, 35(01A), 240.
Google Scholar
Paulson, J. C. (1985). The development of an imitative instructional approach to improvising effective melodic statements in jazz solos (Doctoral dissertation, University of Washington). Dissertation Abstracts International, 46(01), 2957A.
Google Scholar
Riveire, J. (2006). Using improvisation as a teaching strategy. Music Educators Journal, 92(3), 4045.
Google Scholar | SAGE Journals
Smith, B. P., Froseth, J. O. (2003). Do it! Play strings: Teacher’s resource edition. Chicago, IL: GIA.
Google Scholar
Smith, D. T. (2009). Development and validation of a rating scale for wind jazz improvisation performance. Journal of Research in Music Education, 57, 217235.
Google Scholar | SAGE Journals | ISI
Smith, K. (2010). Perspectives on improvising in beginning string pedagogy: A description of teacher anxiety, confidence, and attitude (Master’s thesis). Kent State University, Kent, OH. Retrieved from http://etd.ohiolink.edu/view.cgi?acc_num=kent1271081122
Google Scholar
Stabley, N. C. (2001). Creative activities for string students: Activities focused on improvisation, creativity, and movement can help beginning string students understand basic music concepts. Music Educators Journal, 88, 2957.
Google Scholar | SAGE Journals
Wehr-Flowers, E. (2006). Differences between male and female students’ confidence, anxiety, and attitude toward learning jazz improvisation. Journal of Research in Music Education, 54, 337349.
Google Scholar | SAGE Journals | ISI
Wig, J. A. (1981). The effect of instruction in music composition strategies on middle school band students’ ability to improvise melodies (Doctoral dissertation, Pennsylvania State University). Dissertation Abstracts International, 41(10A), 3424.
Google Scholar
Williams, B., Alexander, M. L. (2009). Fearless improvisation in the string class (NEA Student Achievement Grant SA25 -26). Unpublished raw data.
Google Scholar
Woody, R. H. (2007). Popular music in school: Remixing the issues. Music Educators Journal, 93, 3237.
Google Scholar | SAGE Journals
Woolfolk, A. (2004). Educational psychology (9th ed.). Boston, MA: Pearson.
Google Scholar
View access options

My Account

Welcome
You do not have access to this content.



Chinese Institutions / 中国用户

Click the button below for the full-text content

请点击以下获取该全文

Institutional Access

does not have access to this content.

Purchase Content

24 hours online access to download content

Your Access Options


Purchase

UPD-article-ppv for $36.00