Based on the needs for viable melodic dictation strategies and thoughtful approaches to teaching prerequisite skills, the central research question guiding this qualitative study was as follows: What strategies do dictation takers describe having used on successfully completing a standard melodic dictation? Six sophomore music majors, recommended by their theory professors as consistently successful in melodic dictation, completed two cycles each of a standard dictation coupled with a follow-up reflection interview focused on strategies. Three overarching themes emerged from data analysis: (1) Participants are highly skilled at directing their attention during dictation, (2) participants prioritize tasks carefully during each listening of a dictation, and (3) participants skillfully coordinate a variety of musical and problem-solving skills to complete dictations successfully.

Beckett, C. A. (1997). Directing student attention during two-part dictation. Journal of Research in Music Education, 45, 613625.
Google Scholar | SAGE Journals | ISI
Beheshti, S. (2009). Improving studio music teaching through understanding learning styles. International Journal of Music Education, 27, 107115.
Google Scholar | SAGE Journals | ISI
Berz, W. L. (1995). Working memory in music: A theoretical model. Music Perception: An Interdisciplinary Journal, 12, 353364.
Google Scholar | Crossref | ISI
Byo, J. L. (1997). The effects of texture and number of parts on the ability of music majors to detect performance errors. Journal of Research in Music Education, 45, 5166.
Google Scholar | SAGE Journals | ISI
Covington, K. (1992). An alternate approach to aural training. Journal of Music Theory Pedagogy, 6, 518.
Google Scholar
Creswell, J. W. (2006). Qualitative inquiry and research design: Choosing among five approaches. Thousand Oaks, CA: Sage.
Google Scholar
Denzin, N. K., Lincoln, Y. S. (2011). The SAGE handbook of qualitative research. Thousand Oaks, CA: Sage.
Google Scholar
Finlay, L. (2009). Debating phenomenological research methods. Phenomenology & Practice, 3, 625.
Google Scholar
Gordon, E. E. (2007). Learning sequences in music: A contemporary music learning theory. Chicago, IL: GIA.
Google Scholar
Grutzmacher, P. A. (1987). The effect of tonal pattern training on the aural perception, reading recognition, and melodic sight-reading achievement of first-year instrumental music students. Journal of Research in Music Education, 35, 171181.
Google Scholar | SAGE Journals | ISI
Karpinski, G. (2000). Aural skills acquisition. Oxford, England: Oxford University Press.
Google Scholar
Killian, J. N. (1991). The relationship between sightsinging accuracy and error detection in junior high singers. Journal of Research in Music Education, 39, 216224.
Google Scholar | SAGE Journals | ISI
Klonoski, E. (2006). Improving dictation as an aural-skills instructional tool. Music Educators Journal, 93, 5459.
Google Scholar | SAGE Journals
Larson, R. C. (1977). Relationships between melodic error detection, melodic dictation, and melodic sightsinging. Journal of Research in Music Education, 25, 264271.
Google Scholar | SAGE Journals | ISI
Lincoln, Y. S., Guba, E. G. (1985). Naturalistic inquiry. Beverly Hills, CA: Sage.
Google Scholar
Madsen, C. K., Staum, M. J. (1983). Discrimination and interference in the recall of melodic stimuli. Journal of Research in Music Education, 31, 1531.
Google Scholar | SAGE Journals | ISI
Margulis, E. H. (2005). A model of melodic expectation. Music Perception, 22, 663714.
Google Scholar | Crossref | ISI
McClung, A. C. (2001). Sight-singing systems: current practice and survey of all-state choristers. Update: Applications of Research in Music Education, 20(1), 38.
Google Scholar | SAGE Journals
Mikumo, M. (1994). Motor encoding strategy for pitches of melodies. Music Perception, 12, 175197.
Google Scholar | Crossref | ISI
Miller, G. A. (1956). The magical number seven, plus or minus two: Some limits on our capacity for processing information. Psychological Review, 63, 8197.
Google Scholar | Crossref | Medline | ISI
Moustakas, C. E. (1994). Phenomenological research methods. Thousand Oaks, CA: Sage.
Google Scholar | Crossref
Pembrook, R. G. (1986). Interference of the transcription process and other selected variables on perception and memory during melodic dictation. Journal of Research in Music Education, 34, 238261.
Google Scholar | SAGE Journals | ISI
Pembrook, R. G. (1987). The effect of vocalization on melodic memory conservation. Journal of Research in Music Education, 35, 155169.
Google Scholar | SAGE Journals | ISI
Potter, G. (1990). Identifying successful dictation strategies. Journal of Music Theory Pedagogy, 4, 6371.
Google Scholar
Randles, C. (2012). Phenomenology: A review of the literature. Update: Applications of Research in Music Education, 30(2), 1121.
Google Scholar | SAGE Journals
Sheldon, D. A. (1998). Effects of contextual sight-singing and aural skills training on error detection abilities. Journal of Research in Music Education, 46, 384395.
Google Scholar | SAGE Journals | ISI
Seidman, I. (2006). Interviewing as qualitative research. New York, NY: Teachers College Press.
Google Scholar
Telesco, P. (1991). Contextual ear training. Journal of Music Theory Pedagogy, 5, 179190.
Google Scholar
Thompson, K. A. (2004). Thinking in sound: A qualitative study of metaphors for pitch perception. Journal of Music Theory Pedagogy, 18, 81107.
Google Scholar
View access options

My Account

Welcome
You do not have access to this content.



Chinese Institutions / 中国用户

Click the button below for the full-text content

请点击以下获取该全文

Institutional Access

does not have access to this content.

Purchase Content

24 hours online access to download content

Your Access Options


Purchase

UPD-article-ppv for $36.00