Skip to main content
Intended for healthcare professionals
Restricted access
Other
First published online May 1, 2008

(In)visible evidence: pictorially enhanced disbelief in the Apollo moon landings

Abstract

When pictures become journalistic, historical, and popular icons, there is a common belief that they also have a single, usable meaning, and media, political, and academic elites typically determine it. Yet, research on how people interpret images suggests that believing is seeing: pre-existing prejudices and experiences affect what meanings we draw from pictures. This is especially so when the viewer seeks out information that confirms strongly held notions, what mainstream audiences might think of in some cases as conspiracy theories. This article examines reaction to one of the most famous sets of images of the past century — photos of the 1969 Apollo moon landing — by proponents of the `moon hoax' theory, those who believe that the landings were faked by NASA. Analysis of moon hoax websites shows that the pictures' visual details are used as evidence that the mainstream interpretation is `visibly' in error.

Get full access to this article

View all access and purchase options for this article.

1.
1. `Around the same time' must be a flexible term to Overstreet since it was three years later, in 1972, that America withdrew its last combat troops from Indo-China and three years later that the Vietnam War actually ended. But the basic point about a government needing a `wag the dog' distraction from bad news was indeed applicable in 1969.
2.
2. The authors of this article believe that there was a moon landing and that the moon-hoax conspiracy theorists — or, as they would prefer it, the moon- landing debunkers — are plain wrong. However, at the suggestion of a reviewer, we have endeavoured not to cast the moon hoaxers as crackpots. Rather, we focus on how they contend to have uncovered visible evidence in the moon-landing photos that indisputably offers proof of their theory. As we found, that evidence is — on the surface — quite superficially compelling, especially to the non-scientist.

References

Asimov, I. (1973) The Tragedy of the Moon. New York: Abelard-Schuman.
Bailey, G.A. and Lichty, L.W. (1972) `Rough Justice on a Saigon Street: A Gatekeeper Study of NBC's Tet Execution Film', Journalism Quarterly 49(2): 221-9.
Barthes, R. (1993[1979]) Camera Lucida - Reflection on Photography, trans. R. Howard. Berkeley: University of California Press.
Bennett, E.M., Swenson, J.D. and Wilkinson, J.S. (1992) `Is the Medium the Message? An Experimental Test with Morbid News', Journalism Quarterly 69(4): 921-8.
Borchert, J. (1981) `Analysis of Historical Photographs: A Method and a Case Study', Studies in Visual Communication 7(4): 30-63.
Borchert, J. (1982) `Historical Photo-Analysis: A Research Method', Historical Methods 15(2): 35-44.
Bossen, H. (1985) `A Tall Tale Retold: The Influence of Photographs of William Henry Jackson upon the Passage of the Yellowstone Act of 1872', Studies in Visual Communication 8(1): 8-109.
Bowdley, D. (2003) `Hollywood Goes to the Moon: The Greatest Hoax of Them All?', Physics Educator 38(5): 406-12.
Brugioni, D.A. (1999) Photo Fakery: The History and Techniques of Photographic Deception and Manipulation. Dulles, VA: Brassey's.
Conspiracy Theory: Did We Land on the Moon? (2001) Fox News, 15 February.
Culver, R., Rotton, J. and Kelly, I.W. (1988) `Moon Mechanisms and Myths: A Critical Appraisal of Explanations of Purported Lunar Effects on Human Behavior', Psychological Reports 62(2): 683-710.
Dauber, C.E. (2001) `The Shot Seen Round the World: The Impact of the Images of Mogadishu on American Military Operations', Rhetoric and Public Affairs 4(4): 653-87.
Domke, D., Perlmutter, D.D. and Spratt, M. (2002) `The Primes of Our Times? An Examination of the "Power" of Visual Images', Journalism 3(2): 131-59.
Earle, W. (1979[1968]) `Revolt against Realism in Films', in G. Mast and M. Cohen (eds) Film Theory and Criticism, pp. 33-44, 2nd edn. New York: Oxford University Press.
Edwards, J.L. (2004) `Echoes of Camelot: How Images Construct Cultural Memory through Rhetorical Framing', in M. Helmers and C.A. Hill (eds) Defining Visual Rhetorics, pp. 179-94. Mahwah, NJ: Erlbaum.
Edwards, J.L. and Winkler, C.K. (1997) `Representative Form and the Visual Ideograph: The Iwo Jima Image in Editorial Cartoons', Quarterly Journal of Speech 83(3): 289-310.
Goldberg, V. (1991) The Power of Photography: How Photographs Changed Our Lives. New York: Abbeville.
Gombrich, E.H. (1989[1960]) Art and Illusion: A Study in the Psychology of Pictorial Representation. New York: Pantheon.
Hariman, R. and Lucaites, J.L. (2004) `Public Identity and Collective Memory in U.S. Iconic Photography: The Image of "Accidental Napalm"', Critical Studies in Media Communication 20(1): 35-66.
Harter, L.M. and Japp, P.M. (2001) `Technology as the Representative Anecdote in Popular Discourses of Health and Medicine', Health Communication 13(4): 409-25.
Hartz, J. and Chappell, R. (1997) Worlds Apart: How the Distance between Science and Journalism Threatens America's Future. Nashville, TN : First Amendment Center.
Hoberman, J. (1994) `Moon Dance', Artforum International 32(10): 10-13.
Jaubert, A. (1989[1986]) Making People Disappear: An Amazing Chronicle of Photographic Deception. Washington : Pergamon-Brassey's.
Johnson, N.C. (2002) `Mapping Monuments: The Shaping of Public Space and Cultural Identities', Visual Communication 1(3): 293-8.
Khatib, L. (2004) `The Politics of Space: The Spatial Manifestations of Representing Middle Eastern Politics in American and Egyptian Cinemas', Visual Communication 3(1): 69-90.
Kuhn, T.S. (1970) The Structure of Scientific Revolutions, 2nd edn. Chicago: University of Chicago Press.
Kulikova, S.V. and Perlmutter, D.D. (2007) `Blogging Down the Dictator? The Kyrgyz Revolution and "Samizdat" Web Sites', Gazette 69(1): 29-50
Lessard, L. (2001) `The World Turned Inside Out', Wilson Quarterly 25(3): 10.
Lester, P.M. (2007) `Floods and Photo-Ops: A Visual Historiography Approach', Visual Communication Quarterly 14(2): 114-26.
Major, L.M. and Perlmutter, D.D. (2005) `The Fall of a Pseudo-Icon: The Toppling of Saddam Hussein's Statue as Image Management', Visual Communication Quarterly 12(1&2): 38-45.
Malmsheimer, L.M. (1985) `Imitation White Man: Images of Transformation at the Carlisle Indian School', Studies in Visual Communication 11(4): 54-75.
Malmsheimer, L.M. (1987) `Photographic Analysis as Ethnohistory: Interpretive Strategies', Visual Anthropology 1(1): 21-36.
Margolis, E. (1988) `Mining Photographs: Unearthing the Meaning of Historical Photos', Radical History Review 40(1): 33-47.
McDonough, T.R. (1987) Space: The Next 25 Years. New York: Wiley.
Monk, L. (1989) Photographs that Changed the World: Photographs as Witness, Photographs as Evidence. New York: Doubleday.
Moon Hoax. URL (accessed multiple times between Oct. 2004 and July 2006): www.redzero.demon.co.uk/moonhoax
Nasa. URL (accessed multiple times between Oct. 2004 and July 2006): http://www.nasa.gov
Newton, J.H. (2000) The Burden of Visual Truth: The Role of Photojournalism in Mediating Reality. Mahwah, NJ: Erlbaum.
Oberg, J. (2003) `Lessons of the "Fake Moon Flight" Myth', The Skeptical Inquirer 27(2): 23-4.
Perlmutter, D.D. (1994a) `The Practical Problems of Studying Images for Historical Research', Clio-Journalism History 26(3): 4-6.
Perlmutter, D.D. (1994b) `Visual Historical Methods: Problems, Prospects, Applications', Historical Methods 27(4): 167-84.
Perlmutter, D.D. (1997a) `A Picture's Worth 8,500,000 People: News Images as Symbols of China', Visual Communication Quarterly 4(2): 4-7.
Perlmutter, D.D. (1997b) `Re-Visions of the Holocaust: Textbook Images and Historical Myth-Making', Howard Journal of Communication 8(2): 151-9.
Perlmutter, D.D. (1998) Photojournalism and Foreign Policy: Icons of Outrage in International Crises. Westport: Praeger.
Perlmutter, D.D. and Wagner, G.L. (2004) `The Anatomy of a Photojournalistic Icon: Marginalization of Dissent in the Selection and Framing of `A Death in Genoa', Visual Communication 3(1): 91-108.
Peters, M. and Mergen, B. (1977) `Doing the Rest: The Uses of Photography in American Studies', American Quarterly XXIX(3): 280-303.
Plait, P. Bad Astronomy. URL (accessed multiple times between Oct. 2004 and July 2006 ): http://www.badastronomy.com/bad/tv/foxapollo.html
Popper, K. (1979[1972]) Objective Knowledge: An Evolutionary Approach, rev.edn. Oxford: Clarendon Press.
Rundell, W. Jr (1978) `Photographs as Historical Evidence: Early Texas Oil', American Archivist 41(4): 373-98.
Shermer, M. (2002) Why People Believe Weird Things: Pseudoscience, Superstition and Other Confusions of Our Time. New York : Henry Holt.
Snyder, J. (1984) `Documentary without Ontology', Studies in Visual Communications 10(1): 78-95.
Ward, P.D. and Brownlee, D. (2000) Rare Earth: Why Complex Life Is Uncommon in the Universe. New York: Copernicus Books .
Worth, S. (1981) `Studying Visual Communication', in Sol Worth and Larry Gross (eds) Studying Visual Communication. Philadelphia: University of Pennsylvania Press Publications in Conduct and Communication.

Cite article

Cite article

Cite article

OR

Download to reference manager

If you have citation software installed, you can download article citation data to the citation manager of your choice

Share options

Share

Share this article

Share with email
EMAIL ARTICLE LINK

Share access to this article

Sharing links are not relevant where the article is open access and not available if you do not have a subscription.

For more information view the Sage Journals article sharing page.

Information, rights and permissions

Information

Published In

Article first published online: May 1, 2008
Issue published: May 2008

Keywords

  1. conspiracy
  2. hoax
  3. icons
  4. photography
  5. photojournalism
  6. photostyle
  7. phototruth
  8. science

Rights and permissions

Request permissions for this article.

History

Published online: May 1, 2008
Issue published: May 2008

Authors

Affiliations

David D. Perlmutter
Nicole Smith Dahmen
Louisiana State University, Baton Rouge, USA, [email protected]

Metrics and citations

Metrics

Journals metrics

This article was published in Visual Communication.

VIEW ALL JOURNAL METRICS

Article usage*

Total views and downloads: 3120

*Article usage tracking started in December 2016

Articles citing this one

Web of Science: 8 view articles Opens in new tab

Crossref: 9

  1. Rocket Man and the Rocket Nation: Visual Portrayals of North Korea
    Go to citation Crossref Google Scholar
  2. The Influence-Network Model of the Photojournalistic Icon
    Go to citation Crossref Google Scholar
  3. The Depth of Hurricane Katrina Imagery: A Longitudinal Study Through t...
    Go to citation Crossref Google Scholar
  4. What are shaping the ethical bottom line?: Identifying factors influen...
    Go to citation Crossref Google Scholar
  5. Place, Space, Time
    Go to citation Crossref Google Scholar
  6. On the Viability of Conspiratorial Beliefs
    Go to citation Crossref Google Scholar
  7. The Fragility of Photo-Truth
    Go to citation Crossref Google Scholar
  8. Redefining Iconicity: A Five-Year Study of Visual Themes of Hurricane ...
    Go to citation Crossref Google Scholar
  9. The Berlin Wall from a visual perspective: comments on the constructio...
    Go to citation Crossref Google Scholar

Figures and tables

Figures & Media

Tables

View Options

Get access

Access options

If you have access to journal content via a personal subscription, university, library, employer or society, select from the options below:


Alternatively, view purchase options below:

Purchase 24 hour online access to view and download content.

Access journal content via a DeepDyve subscription or find out more about this option.

View options

PDF/ePub

View PDF/ePub